Inspired by the classic "Antiques Roadshow," this benefit presentation focuses exclusively on the restoration potential of fine art oil paintings. Whether you’re curious about the factors that contribute to a painting’s deterioration or eager to learn about effective conservation techniques, this session promises an incredibly knowledge-packed afternoon—with absolutely no sales pitches involved!
Live Evaluation: Participants are invited to submit their paintings online for review. Once registered, you’ll receive a confirmation email with a link to a submission form. (You’ll be asked to provide front and back photos of your painting, dimensions, and any known details along with your contact information.)
In-Person Review: Five submissions will be chosen for a live evaluation by Troy Amuso during the event. If selected, you will be invited to bring your painting to Dewy Hall for a hands-on review.
No Submission? No Problem! You’re welcome to attend solely to learn about the restoration process without submitting a painting.
Troy began his journey in art restoration in 1977 as an apprentice to the renowned Dutch art conservator Yan Vanderviver in southern Westchester County, New York. From his formative years in New York, Connecticut, and Los Angeles (1977–1995), Troy has earned a respected reputation among art collectors, galleries, and private museums nationwide. Today, he continues his passion for fine art conservation at Troy Fine Art Services, with studios in Sheffield, MA and Fairfield, CT.
Take a look at the stunning recovery of a still life painting—a piece that once hung above a mantel, was rescued from a house fire, and suffered extensive damage including smoke, water, and scratches. With expert care from Troy Amuso, this painting was revitalized, demonstrating that even artworks in dire condition can be brought back to life.
This still life was hung over a mantel and was rescued from a house fire. It was thrown through a window, landed outside with heavy smoke and water damages and various scratches. This painting was brought back to good health by Master Conservator, Troy Amuso. Age at the time, and artist unknown. Not all paintings need to be in this dire a condition to be considered for evaluation at this event.